Cole Escola's demented, gleefully irreverent farce imagines Mary Todd Lincoln as a boozy, vicious, miserable wannabe cabaret singer in the weeks before her husband's assassination. Zero historical accuracy, maximum comedy. Escola became the first openly non-binary actor to win the Tony Award for Best Lead Actor in a Play.
“I can't remember the last time I saw a play that made me laugh, helplessly and loudly, as much as Oh, Mary! did—and the hilarity is communally shared by your fellow audience members, who are losing it merrily all around you.”A GUEST · 4,800 RESPONSES
the funniest play on Broadway right now—the whole theater is helplessly losing it.
Cole Escola's performance is a once-in-a-generation comedy masterclass.
80 minutes no intermission means it never once loses its insane energy.
the absurdist Gen Z humor is sharp and fast—genuinely surprising jokes.
queer joy and camp done with total commitment and craft.
if you don't like absurdist/camp humor this will feel exhausting not funny.
relentless pace without a single breath can be overwhelming.
deliberately offensive humor is not for everyone.
there's essentially no real plot—it's pure comedic energy.
anyone easily offended by irreverent comedy or profanity. people wanting historical accuracy or educational content. those who prefer emotional drama over comedic chaos.
Maya Rudolph's limited run has turned Oh, Mary! into Broadway's hottest ticket—the show just broke the Lyceum box office record for the sixth time, pulled in $1.5M+ weekly grosses, and is now commanding $575 premium tickets. With a West End Olivier win, an upcoming national tour, and Cole Escola set to return to London, this Tony-winning comedy has become the blueprint for how queer camp can dominate commercial theater.
RESEARCHED JULY 2026
